A revolutionary concept of church was designed by a collaboration between Pieterjan Gijs and Arnout Van Vaerenberg. Their creation consists of a see-through church and takes part of a major ambitious long-term art in public spaces. The project will be realized on different locations in the Flemish region of Limburg over the next five years. This unusual construction is 10 meter high and is made of 100 layers and 2000 columns of steel, which is perceived in different ways, depending on the viewer position. This church can look like a genuine massive building that seems to dissolve partially or entirely in the landscape. Its name is “ Reading between the lines”.
“Benton’s images allow us to slip our earthly bonds and see the world from new heights, his aerial views offering a fresh perspective on familiar landscapes. Surprising and sublime, Saltscapes can be enjoyed equally as a collection of art photography and a portrait of ecological transformation and resilience.”
CRIS BENTON is a retired professor of architecture and former department chair at the University of California, Berkeley, where he was engaged in teaching and research in the Building Science Laboratory as well as a program of post-occupancy building case studies. His kite aerial photography in the South Bay began during a sabbatical year spent as artist in residence at the Exploratorium in San Francisco, and it has continued under special use permits from the Don Edwards National Wildlife Refuge and the California Department of Fish and Wildlife. The resulting images documenting the salt ponds have been shown at the Cooper-Hewitt Museum, the Exploratorium, and the Coyote Point Museum, as well as conferences and art galleries. Benton’s aerial images have been used by over one hundred nonprofit agencies.